Once upon a time in the land of vintage party decorations there was a cute little lamp called the Par36 it looked great in those
spinning light helicopters and retro
Kremesa cosmos ball disco effects . But something was missing. Another Woodbine or two and things really came to life. Soon it was realised that a little smoke was the all-important missing ingredient. And so began the story of the Pea soup heavy fog smoke machine industry well not quite.
As far back as the late Sixties and early Seventies the Hollywood American movie effects industry was converting bug sprayers into foggers which used oil based fluid for use in zombie horror special effects in there big screen action movies with search light backgrounds. These appliances were quickly proved to be less than good for the health of cast and crew alike. But what the heck, these were the psychedelic years when neither love or rock n roll were particularly safe, so who was going to care much about a bit of carcinogenic smoke.
By the time smoke technology special effects companies produces reached our nightclubs in the late Seventies thermally evaporated glycol based and glycerine based
disco smoke machines were the norm. Although the birth of this technology was in America with the likes of Rosco leading the way, the United Kingdom quickly became the home of the disco smoke machine industry with companies like Le Maitre stage pyrotechnics and JEM smokescreen pioneering new standards in this technology. Around the same time a small Danish company by the name of Martin developed a popular range of mini smoke generators. Some of these companies stuck with 1970 disco smoke whilst others obviously moved on to bigger things.
The disco mist and theatrical flash pyrotechnics field has really advanced in leaps and bounds in recent times with many of the revolutionary prototypes which have been on show at exhibitions now fully developed. In particular JEM Hydrosonic range and Le Maitre's G300 are both have take the club and theater industry forward, with C-Beam and HOT technology a new generation of cleaner, healthier smoke effects, a little better the 1950 London-fog smog.
It was particularly encouraging that in both cases, after the prototypes have been exhibited, the companies concerned have gone out on the road to test the responses of end users. Their suggestions have then been listened to and incorporated into improved designs. Of course aside from all this ground breaking technology, there is still a huge market for more traditional smoke effects. Disco hire Philippines have compiled a small guide to the major players in the smokier side of the
discotheque and theatrical lighting industry.
WHERE TO STARTWith so many
low fog smoke machines to choose from where do you start in your search for the correct one for your venue room? Let’s Start at the End. What I really mean is what’s the end product that you trying to achieve with your unit. It s probably a simple case of making your dj roboscan custom Gobo rotating lights come alive, so too much smoke must be avoided to attain the best night club lazer lights show. Next consider the flow of air extraction or air-circulating system in the club. Your dj smoke machine must be able to maintain an adequate level of effect when fan extraction is set at maximum.
Now consider practical locations for the dance floor misting smoke machines. They are similar to your lights in as much as if they aren’t nailed down to the floor they’ll get nicked. So installation models are preferable.
Most leading manufactures of
club special effects have available either dedicated installation smock systems or installation kit for portable models. Remember if you are going to install your smock machine twenty meters off the ground then some poor soul is going to have to climb one giant ladder to fill it up with haze fluid. A remote fluid supply system is a good idea in this case.
Most models of
artificial smoke machines have more than enough output for most clubs and live drama theaters. However distribution of smoke is often the main problem. This is why multiples of instruments are often installed. You may also like to consider using one of a number of specially designed fans which are available for the purpose of getting your smoke around the venue. Some of these can be interfaced so as to operate in tandem with the smoke machine.
At present times not only are these units applied in stage decoration ideas at the academy of motion picture arts and sciences, but also use in residential security systems, fire training and some military applications.
THE NIGHTCLUB FOG FACTOR AND FUTURE IS HAZE FOR THEATRICAL LIGHTING.Many venue operators are looking further than just filling their club with smoke to create the right atmosphere. Many an excellent lighting scheme meticulously programmed for maximum impact has been totally zapped by excess punching of the
fog machine button. Thank you light jockeys everywhere some of you are great for smoke fluid sales.
The ideal medium for dramatic theatre light beam enhancement has proven to be subtle ambient haze, remember that woodbine effect. A huge range of
theatrical haze machines now exists, some good some average and some fit for the bin. The secret to this perfect effect is to generate the perfect ambience from what the punter see as an invisible source. You should not be able to see the source of the effect only the effect itself Sounds simple yes, but how is it achieved.
Your lighting relies on airborne particles to reflect visible beams of Light. Haze machines produce the ideal particle but in too high a concentration. A Hazer scores by producing similar highly reflective particles, but the concentration is diluted by mixing the particles with air before expelling them from the contraption. The larger spacing between these particles allows a better projected beam of light. The output from the mist Hazer is much subtler than Smoke machines and so hazes are generally run at low output continuously. Don t worry about high fluid consumption. As a general rule, what goes in must come out, so higher the output, the higher the fluid consumption used. Hazes are lower in output and so fluid burning up is low.
Youtube vaporized air flow technology JEM Glaciator X-Stream smoke machine rental unit.
cool
ReplyDeleteThe birth of this technology was in Germany!
ReplyDelete1973 Günther Schaidt
In Hollywood he get an Technic Oscar.
www.safex.de
The birth of this technology was in fact in Britain with CF Taylor in the mid 1960s.
ReplyDeleteCF Taylor make smoke with Oil. Very Dangerous!
DeleteGünther Schaidt is the Inventor of Smoke Fluid.
Cheers waveform1
CF Taylor machines were made for them by Concept in the 1960s, who are still going today. Oil is not dangerous - this is a common misconception. Oil based smoke from CF Taylor or Concept machines is safer than glycol.
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